Jumat, 23 Desember 2011

PDF Ebook , by Natalie Hall

PDF Ebook , by Natalie Hall

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, by Natalie Hall

, by Natalie Hall


, by Natalie Hall


PDF Ebook , by Natalie Hall

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, by Natalie Hall

Product details

File Size: 493 KB

Print Length: 99 pages

Simultaneous Device Usage: Unlimited

Publisher: Natalie Hall (March 6, 2015)

Publication Date: March 6, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00UDP46ZM

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Amazon Best Sellers Rank:

#48,603 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Get a Youtube channel.Write a blog.Become an Amazon affiliate.Write eBooks.Outsource your labor to oDesk.There. I just saved you 30 minutes of digging though this s***ty book.

The title suggests the book addresses passive sources of income. Passive income is income you don't work for (e.g., dividends from stocks). Every one of these suggestions requires an inordinate amount of time and effort. The author never suggests the time will come when you can sit back, relax and watch the cash roll in (the definition of passive income). If you want ideas to work your tail off, this book is for you.

It could have been a worse loss. You can save time and money from my experience. Basically, this book seems like it was stitched together from old blog posts originally written by cheap offshore workers she advocates. There's nothing here you can't find on the web. Some information, like much of his YouTube data, is no longer relevant due to changes there. In summary, this book does not fulfill the promise of the title. Not recommended.

Author Natalie Hall delivered much more than I expected with this helpful book. A fan of passive income methods myself, I picked up this book and was pleasantly surprised at what it contained beginning with the table of contents. It exceeded my expectations. Hall’s book contains no fluff or filler but just practical instruction and advice on how to passively make some extra money.The book is a terrific resource for beginners as well as people who have been at this for a while. Lots of good points, including pros and cons of each of the 7 ideas. The author explains concepts such as affiliate marketing in a way that's easy to understand and put in place.Some of the ideas will require more effort to get rolling than some of the others but each one of them was logical to me. I would heartily recommend this book to anyone who has an interest in regularly adding some extra money to their bank account.

Poorly edited, cobbled together, some random elements included with no explanation, no real detail on how to implement, just general statements. Goes from get an idea to get someone on Fiverr to do all the work for you. Skips most of the you have an idea, now sketch out what you actually need/want, so you can talk to anyone on Fiverr about what you actually want rather than asking for vague generalities. Many of the reasons why any idea is different from any other idea appears to be the same for most ideas. Does not include any real marketing. Lots of you need to do this With no explanation of how to do any of these things, each of which could be multiple chapters. Little links to useful knowledge, and those that are there appear to be random.Lets face it it costs little over $1. And it isn't a detail book. It's a introduction to some ways of actively (mostly not passively) money. The author could have structured it that way, reducing the material down, and giving high quality external links to find the details of each topic. But then she could have also proofread the book, instead of failing to do any of the things she says in the book. (And included pictures/diagrams/infomatics/charts/statistics/tables, anything but pure text to show she put in any effort.)

I’m glad I came across this book. It’s packed with to-the-point material on seven ways to create a passive income. Some of these approaches I have considered as means for passive income, and others I didn't even think about as means of making money. The passive income approaches include blogging to podcasting to niche products, to name a few. Each chapter is divided up into benefits, tips, and how-to ideas specific to that income approach. The material is well written and well worth the small investment, especially if the small invest pays big dividends. And there’s a great chance for that with this book on passive income.

The book is well written and easy to follow. The book not only provides the top passive income ideas it provide a good explanation of what the idea is, but it gives basic instruction of how to implement the idea. I highly recommend this book. Garret L Van Seters

Not really what I expected. It was more of the the same things others are writing about. Nothing wrong with the book, just wanted something new and exciting.

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Kamis, 27 Oktober 2011

Download Concurrency Control and Recovery in Database Systems

Download Concurrency Control and Recovery in Database Systems

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Concurrency Control and Recovery in Database Systems

Concurrency Control and Recovery in Database Systems


Concurrency Control and Recovery in Database Systems


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Concurrency Control and Recovery in Database Systems

Concurrencey Control and Recovery in Database Systems. P.A. Bernstein. Copyright 1987, Addison-Wesley, Reading. Hardcover in fine condition. Binding is secure, cover and spine are clean with minimal wear. NO writing or highlighting was observerd in text. Dust jacket in very good Shelved in Technology. The Bookman serving Colorado Springs since 1990.

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Product details

Hardcover: 370 pages

Publisher: Addison-Wesley; First Edition edition (February 1, 1987)

Language: English

ISBN-10: 0201107155

ISBN-13: 978-0201107159

Product Dimensions:

6.8 x 1 x 9.8 inches

Shipping Weight: 1.6 pounds

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,859,943 in Books (See Top 100 in Books)

It is a very useful book and also simple and intuitive. As a Java developer I often read about transactions, but it is hard to understand what that means. Java books are usually vague and unclear on database transactions, even though transactions are one of the key part of Java EE. It is disheartening to read how important is something the author does not understand himself. Finally, I started reading about databases, and that helped. This book helped me to understand what all that transactional stuff really mean.

This book is outstanding. It is THE text to have for a study and understanding of database concurrency control algorithms and the concepts of concurrency control. In my work and writings, I always refer to this text and its precisely-defined properties for proper concurrency control (recoverable (RC), avoidance of cascading aborts (ACA), serializable (SR), and strict (ST)) in lieu of the more-often-cited but less precise "ACID" criteria.

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Minggu, 25 September 2011

Download Clara: The Fairer Sex Collection, Book 5

Download Clara: The Fairer Sex Collection, Book 5

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Clara: The Fairer Sex Collection, Book 5

Clara: The Fairer Sex Collection, Book 5


Clara: The Fairer Sex Collection, Book 5


Download Clara: The Fairer Sex Collection, Book 5

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Clara: The Fairer Sex Collection, Book 5

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

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Audible Audiobook

Listening Length: 41 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Brilliance Audio

Audible.com Release Date: February 14, 2019

Whispersync for Voice: Ready

Language: English, English

ASIN: B07N1WMPMS

Amazon Best Sellers Rank:

Clara by Michelle Miller can be found as one of the Amazon Original Stories (AOS) in a collection titled The Fairer Sex. Clara is Book Five of an eight-book series. All can be read one at a time for free with a Kindle Unlimited subscription or the collection can be purchased as a set (not for free). All the short stories emphasize “short.” Clara, the fifth story in the series is only twenty-four pages. Grab a cup of your favorite cha. Or whatever people call tea in your language.Clara is a writer with a successfully published book. Although not trained in finance, her debut novel was about finance. Readers had been impressed enough to invite her to conferences at which she sat on panels which discussed financial issues. She may not have been trained in finance, but it occupied a central role in her family. That is how the breadwinner of the house made the real money. All she wanted was his approval and an acknowledgment of her success. But he had never read the book and showed no interest in doing so. She even wrote a special dedication to him in a signed edition she gave him as a gift. Even that didn’t motivate him to read her work. All he did was read his Blackberry and financial newspapers.And he was rude in a way that only the truly wealthy can display in public with impunity. They had prepared to go to dinner at one of the finest restaurants followed by a film premiere of a French film that would be attended by stars and the director of the film. But in the restaurant, he had left her alone for almost an hour. She had had to put up with the comments of the old ladies around her smiling and commenting on her several-years-older partner. When he finally rejoined her, the meal was rushed so that they could be on time for the film.At the theater, Clara almost had time to meet the director before the film. She did not meet him but when the two made eye contact, Lawrence seemed to recognize her. She and Michael went to their seats before the film started but by the time it began, Michael was in the lobby with his Blackberry. And the film director, Lawrence, was not watching the film. Instead, he was reading her book. After texting a few comments, Lawrence invited her backstage where he presented elements of his film from a very different perspective. The language is a bit sexual during this part of the story, but it is not offensive.The film comes to an end and Clara must get back to the lobby to meet the car on time. She is thrilled to have met a man who appreciated her book. She is not so thrilled to be with a man who has not even read it. Clara and the two men meet in the lobby. She makes an interesting comparison. And in this surprise ending, she decides on the market or niche for her next book. There is an ending worth reading for in this five-star Amazon read.

2nd fave, too too funny ... or sarcastic?? maybe that is a better word for it??! I love finding these collections by Amazon ... this one is all by Michelle Miller ... i thought they usually were different authors not the same? I am still trying to figure how they are related - usually it is just the lady part? newbie to Michelle's writing??! was curious. they are easily listened to. not long at all.

I uh, hmmm.This wasnt a bad story.It was an okay listen.I think like most people, I assumed she was also, not a gold digger, but with an older man for a lavish lifestyle (I dont say gold digger because she has written her own book and published it. Yes with his help.....but....whatevers. you know what I'm trying to say.)Anyway, that twist at the end was AWESOME!Nothing like a good old wake up call!I think that's what made this book pretty good overall.Probably the best twist so far in the 3 I have read. Still pending 3 more.

Events happen forcing her to come to conclusions . The conclusions are a strength. I enjoyed this short story for women .

Two stars for the "twist." The men described in this short story are either infuriating or ewww. I really couldn't see how Clara was so easily swept away by her lover but then the author made a delineation between the first older man to the second which did make sense but still... ewww. Clara does come into her own in the end in a nice, pat ending.

Book 5 of The Fairer Sex collection, Clara, is more about girl power. Clara finally finds her voice after the premier of her "book gone movie" when her father and backstage hookup meet afterwards and she realizes that they are both the same in so many ways and yet different; Clara must claim herself and what she wants.

Very interesting story about Clara as an author and her personal journey to be discovered. Enjoyed but the common themes in Miller’s books is for the protagonist to be desired by men who will undo her. But this ending had a nice surprising ending.

Pretty much a glowing description of a sexual assault.

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Kamis, 08 September 2011

Free Ebook Love & Gelato, by Jenna Evans Welch

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Love & Gelato, by Jenna Evans Welch

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Love & Gelato, by Jenna Evans Welch

About the Author

Jenna Evans Welch was the kind of insatiable child reader who had no choice but to grow up to become a writer. She is the New York Times Bestselling author of LOVE & GELATO and the upcoming LOVE & LUCK. When she isn't writing girl abroad stories, Jenna can be found chasing her children or making elaborate messes in the kitchen. She lives in Salt Lake City, Utah with her husband and two young children.Â

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Excerpt. © Reprinted by permission. All rights reserved.

Love & Gelato Chapter 1 THE HOUSE LOOMED BRIGHTLY IN the distance, like a lighthouse in a sea of headstones. But it couldn’t be his house, right? We were probably just following some kind of Italian custom. Always drive newcomers through a cemetery. That way they get a feel for the local culture. Yeah, that must be it. I knit my fingers in my lap, my stomach dropping as the house got closer and closer. It was like watching Jaws emerge from the depths of the ocean. Duuun dun. Only it wasn’t a movie. It was real. And there was only one turn left. Don’t panic. This can’t be it. Mom wouldn’t have sent you to live in a cemetery. She would have warned you. She would have— He flipped on the turn signal, and all the air came rushing out of my lungs. She just didn’t tell me. “Are you okay?” Howard—my dad, I guess I should call him—was looking at me with a concerned expression. Probably because I’d just made a wheezing noise. “Is that your . . . ?” Words failed me, so I had to point. “Well, yes.” He hesitated for a moment and then gestured out the window. “Lina, didn’t you know? About all this?” “All this” didn’t even come close to describing the massive moonlit cemetery. “My grandma told me I’d be staying on American-owned land. She said you’re the caretaker of a World War II memorial. I didn’t think . . .” Panic was pouring over me like hot syrup. Also, I couldn’t seem to finish a single sentence. Breathe, Lina. You’ve already survived the worst. You can survive this, too. He pointed to the far end of the property. “The memorial is that building right up there. But the rest of the grounds are for the graves of American soldiers who were killed in Italy during the war.” “But this isn’t your house house, right? It’s just where you work?” He didn’t answer. Instead we pulled into the driveway, and I felt the last of my hope fade along with the car’s headlights. This wasn’t just a house. It was a home. Red geraniums lined the walkway, and there was a porch swing creaking back and forth, like someone had just gotten up. Subtract the crosses lining the surrounding lawns and it was any normal house in any normal neighborhood. But it wasn’t a normal neighborhood. And those crosses didn’t look like they were going anywhere. Ever. “They like to have a caretaker on-site at all times, so they built this house back in the sixties.” Howard took the keys out of the ignition, then drummed his fingers nervously on the steering wheel. “I’m really sorry, Lina. I thought you knew. I can’t imagine what you’re thinking right now.” “It’s a cemetery.” My voice was like weak tea. He turned and looked at me, not quite making eye contact. “I know. And the last thing you need is a reminder of everything you’ve been through this year. But I think you’ll find that this place grows on you. It’s really peaceful and it has a lot of interesting history. Your mother loved it. And after being here almost seventeen years, I can’t imagine living anywhere else.” His voice was hopeful, but I slumped back in my seat, a swarm of questions taking flight in my mind. If she loved it so much, then why didn’t she ever tell me about it? Why didn’t she ever talk about you until she got sick? And for the love of all that’s holy, what made her leave out the teeny-tiny detail that you’re my father? Howard absorbed my silence for a moment, then opened his car door. “Let’s head inside. I’ll get your suitcase.” All six foot five of him walked around to the back of the car, and I leaned over to watch him in the side mirror. My grandma had been the one to fill in the blanks. He’s your father; that’s why she wanted you to live with him. I probably should have seen it coming. It’s just that good old buddy Howard’s true identity seemed like the sort of thing my mother would have at least mentioned. Howard closed the trunk, and I straightened up and started rifling through my backpack, buying myself another few seconds. Lina, think. You’re alone in a foreign country, a certifiable giant has just stepped forward as your father, and your new home could be the setting for a zombie apocalypse movie. Do something. But what? Short of wrestling the car keys from Howard, I couldn’t think of a single way to get out of going into that house. Finally I unbuckled my seat belt and followed him to the front door. Inside, the house was aggressively normal—like maybe it thought it could make up for its location if it just tried hard enough. Howard set my suitcase down in the front entryway, and then we walked into a living room with two overstuffed chairs and a leather sofa. There were a bunch of vintage travel posters on the walls, and the whole place smelled like it had been soaking in garlic and onions. But in a good way. Obviously. “Welcome home,” Howard said, switching on the main light. Fresh panic smacked me in the face, and he winced when he saw my expression. “I mean, welcome to Italy. I’m so glad you’re here.” “Howard?” “Hi, Sonia.” A tall, gazelle-like woman stepped into the room. She was maybe a few years older than Howard, with coffee-colored skin and rows of gold bracelets on each arm. Gorgeous. And also a surprise. “Lina,” she said, enunciating my name carefully. “You made it. How were your flights?” I shifted from one foot to the other. Was someone going to introduce us? “They were okay. The last one was really long.” “We’re so glad you’re here.” She beamed at me, and there was a thick moment of silence. Finally I stepped forward. “So . . . you’re Howard’s wife?” Howard and Sonia looked at each other and then practically started howling with laughter. Lina Emerson. Comic genius. Finally Howard got himself under control. “Lina, this is Sonia. She’s the assistant superintendent of the cemetery. She’s been working here even longer than I have.” “Just by a few months,” Sonia said, wiping her eyes. “Howard always makes me sound like a dinosaur. My house is on the property too, a little closer to the memorial.” “How many people live here?” “Just us two. Now three,” Howard said. “And about four thousand soldiers,” Sonia added, grinning. She squinted at Howard, and I glanced back just in time to see him frantically running one finger across his throat. Nonverbal communication. Great. Sonia’s smile vanished. “Lina, are you hungry? I made a lasagna.” That’s what that smell was. “I’m pretty hungry,” I admitted. Understatement. “Good. I made my specialty. Lasagna with extra-garlicky garlic bread.” “Yes!” Howard said, pumping his arm like a housewife on The Price Is Right. “You decided to spoil us.” “It’s a special night, so I thought I’d go all out. Lina, you probably want to wash your hands. I’ll dish up and you can meet us in the dining room.” Howard pointed across the living room. “Bathroom’s over there.” I nodded, then set my backpack on the nearest chair before practically fleeing the room. The bathroom was miniature, barely big enough for a toilet and a sink, and I ran the water as hot as I could stand it, scrubbing the airport off my hands with a chip of soap from the edge of the sink. While I scrubbed, I caught a glimpse of myself in the mirror and groaned. I looked like I’d been dragged through three different time zones. Which, to be fair, I had. My normally tan skin was pale and yellowish-looking, and I had dark circles under my eyes. And my hair. It had finally figured out a way to defy the laws of physics. I wet both my hands and tried to smash down my curls, but it seemed to only encourage them. Finally I gave up. So what if I looked like a hedgehog who’d discovered Red Bull? Fathers are supposed to accept you as you are, right? Music started up outside the bathroom and my nervousness kindled from a flame to a bonfire. Did I really need to eat dinner? Maybe I could go hide out in a room somewhere while I processed this whole cemetery thing. Or didn’t process it. But then my stomach roared in protest and ugh. I did have to eat. “There she is,” Howard said, getting to his feet as I walked into the dining room. The table was set with a red-checkered cloth, and an old rock song I sort of recognized was playing from an iPod next to the entryway. I slid into the chair opposite them, and Howard sat down too. “I hope you’re hungry. Sonia’s such a great cook, I think she missed her calling in life.” Now that it wasn’t just the two of us, he sounded way more relaxed. Sonia beamed. “No way. I was destined for life at the memorial.” “It does look good.” And by “good,” I meant amazing. A steaming pan of lasagna sat next to a basket of thickly sliced garlic bread, and there was a salad bowl piled high with tomatoes and crisp-looking lettuce. It took every ounce of willpower I had not to dive right onto the table. Sonia cut into the lasagna, placing a big gooey square right in the center of my plate. “Help yourself to bread and salad. Buon appetito.” “Buon appetito,” Howard echoed. “Buon appe . . . something,” I mumbled. The second everyone was served, I picked up my fork and attacked my lasagna. I knew I probably looked like a wild mastodon, but after a full day of nothing but airline food, I couldn’t help myself. Those portions were miniature. When I finally came up for air, Sonia and Howard were both staring at me, Howard looking mildly horrified. “So, Lina, what kinds of things do you like to do?” Sonia asked. I grabbed my napkin. “Besides scare people with my table manners?” Howard chuckled. “Your grandmother told me you love running. She said you average about forty miles a week, and you’re hoping to run in college.” “Well, that explains the appetite.” Sonia scooped up another piece, and I gratefully held out my plate. “Do you run at school?” “I used to. I was on the varsity cross-country team, but I forfeited my spot after we found out.” They both just looked at me. “. . . When we found out about the cancer? Practice took up a lot of time, and I didn’t want to leave town for all the meets and stuff.” Howard nodded. “I think the cemetery is a great place for a runner. Lots of space, and nice smooth roads. I used to run here all the time. Before I got fat and lazy.” Sonia rolled her eyes. “Oh, please. You couldn’t get fat if you tried.” She nudged the basket of garlic bread toward me. “Did you know that your mother and I were friends? She was lovely. So talented and lively.” Nope, didn’t tell me that, either. Was it possible I was falling prey to some elaborate kidnapping scheme? Would kidnappers feed you two pieces of the best lasagna you’d ever had? And if pressed, would they give you the recipe? Howard cleared his throat, snapping me back to the conversation. “Sorry. Um, no. She never mentioned you.” Sonia nodded, her face expressionless, and Howard glanced at her, then back at me. “You’re probably feeling pretty tired. Is there anyone you want to get in touch with? I messaged your grandmother when your plane arrived, but you’re welcome to give her a call. I have an international plan on my cell phone.” “Can I call Addie?” “Is that the friend you were living with?” “Yeah. But I have my laptop. I could just use FaceTime instead.” “That might not work tonight. Italy isn’t exactly on the cutting edge of technology, and our Internet connection has been pretty slow all day. Someone’s coming by to take a look at it tomorrow, but in the meantime you can just use my phone.” “Thanks.” He pushed back from the table. “Would anyone like some wine?” “Yes, please,” Sonia said. “Lina?” “Uh . . . I’m kind of underage.” He smiled. “Italy doesn’t have a drinking age, so I guess it’s a little different around here. But no pressure either way.” “I’ll pass.” “Be right back.” He headed for the kitchen. The room was quiet for about ten seconds, and then Sonia set her fork down. “I’m so happy you’re here, Lina. And I want you to know that if you need anything, I’m just a stone’s throw away. Literally.” “Thanks.” I trained my eyes on a spot just over her left shoulder. Adults were always trying too hard around me. They thought that if they were nice enough they could make up for the fact that I’d lost my mom. It was kind of sweet and horrible at the same time. Sonia glanced toward the kitchen and then lowered her voice. “I wanted to ask you, would you mind stopping by my place sometime tomorrow? I have something I want to give you.” “What?” “We can talk about it then. Tonight you just focus on settling in.” I just shook my head. I was going to do as little settling in as possible. I wasn’t even going to unpack my bag. After dinner Howard insisted on carrying my suitcase upstairs. “I hope you like your room. I repainted and redecorated it a couple of weeks ago, and I think it turned out really nice. I keep most of the windows open in summer—it’s a lot cooler that way—but feel free to close yours if you’d prefer.” He spoke quickly, like he’d spent all afternoon rehearsing his welcome speech. He set my bag down in front of the first door. “Bathroom is right across the hall, and I put some new soap and shampoo in there. Let me know what else you need and I’ll pick it up tomorrow, okay?” “Okay.” “And like I said, the Internet’s been pretty spotty, but if you decide you want to try it out, our network is called ‘American Cemetery.’?” Of course it was. “What’s the Wi-Fi password?” “Wall of the Missing. One word.” “?‘Wall of the Missing,’?” I repeated. “What does that mean?” “It’s a part of the memorial. There are a bunch of stone tablets listing the names of soldiers whose bodies were never recovered. I can show you tomorrow if you’d like.” Nooo, thank you. “Well, I’m pretty tired, so . . .” I edged toward the door. He took the hint, handing me a cell phone along with a slip of paper. “I wrote down instructions for dialing the States. You have to put in a country code as well as an area code. Let me know if you have any trouble.” “Thanks.” I put the paper in my pocket. “Good night, Lina.” “Good night.” He turned and walked down the hall, and I opened the door and dragged my suitcase into the room, feeling my shoulders sag with the relief of finally being alone. Well, you’re really here, I thought, just you and your four thousand new friends. There was a lock on the door and I turned it with a satisfying click. Then I slowly turned around, steeling myself for whatever Howard had meant by “really nice.” But then my heart practically stopped, because wow. The room was perfect. Soft light glowed from this adorable gold lamp on the nightstand, and the bed was antique-looking, with about a thousand decorative pillows. A painted desk and dresser sat on opposite sides of the room, and a large oval mirror hung on the wall next to the door. There were even a bunch of picture frames standing empty on the nightstand and dresser, like they were waiting for me to fill them up. I stood there staring for a minute. It was just so me. How was it possible that someone who hadn’t even met me had managed to put together my perfect bedroom? Maybe things weren’t going to be so bad— And then a gust of wind blew into the room, drawing my attention to the large open window. I’d ignored my own rule: If it seems too good to be true, it probably is. I walked over and stuck my head out. The headstones gleamed in the moonlight like rows of teeth, and everything was dark and eerily silent. No amount of pretty could make up for a view like that. I pulled my head back in, then took the slip of paper out of my pocket. Time to start plotting my escape.

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Product details

Age Range: 12 and up

Grade Level: 7 - 9

Lexile Measure: 640L (What's this?)

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Paperback: 400 pages

Publisher: Simon Pulse; Reprint edition (May 2, 2017)

Language: English

ISBN-10: 1481432559

ISBN-13: 978-1481432559

Product Dimensions:

5.5 x 1.1 x 8.2 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

419 customer reviews

Amazon Best Sellers Rank:

#41,190 in Books (See Top 100 in Books)

What a fun book to read and so well written! I thoroughly enjoyed myself. I don't read a lot of "romance" novels or books in that genre, so I'll admit that I bought it on the reputation and recommendation of one of my favorite authors, Richard Paul Evans, the author's father. I am so happy that I took a chance on this book. I was pleasantly surprised that, while love and romance were a major theme of the book as is clearly implied by the title, there was as much emphasis on all the other kinds of love that we experience in life; i.e., love between a parent and child, love between friends, and love of oneself. The reader is taken on a journey of discovery, both of self and of others. While the book is marketed toward young adults and it is an easy read, it is in no way "dummied down" or simplistic. I believe that anyone of any age can gain wisdom from reading this book, as we all need times of reflection, introspection and discovery to find out who we were, who we are, who we can be, as well as who those around us really are as compared to who we thought they were. Lastly, for those concerned about profanity and sexual gratuity, I wanted to mention that this is a "clean" book. There is no profanity or sex which, aside from being a nice break from what has become so common in books lately, is just not necessary to move the story forward. If anything, it would take away from the story, and it is such a sweet and beautiful story that nothing should be allowed to take from it.

I knew before I read it that it was a book for teens, just because the publisher’s URL referenced on the back cover was simonandschuster.com/teen. Knowing that made a big difference in how I read it. The prologue consisted of the main character’s mother’s diagnosis of a terminal and fast-moving illness, then skipped to the mother’s deathbed wish that said main character, Lina, go to Italy to stay with a man she’s never met but whom her mother trusts because he is apparently Lina’s father, and then dives right in with her arrival in Italy in chapter one. Its pacing, especially at the beginning, is, I think, reflective of Lina’s shock and denial about being in such a difficult, unexpected situation. It isn’t until later in the book that she begins to come to terms with her grief, and that reckoning and increase in maturity is an endearing thing to be a part of.Indeed, if I could sum up the whole book in just one word, it would be “cute.” But then I would have to clarify that by saying that it is so because of its appeal to teenagers (especially girls), its pacing, and its wonderful voice. The dialogue sounded consistently authentic and humorous. There are rejoinders like this on almost every page: “Odette grimaced. ‘I’m spending the summer pretending to be somewhere other than Italy. Ren grinned. “How’s that working out for you? You know, with your Italian husband and children?”I absolutely loved the humor in this book, as expressed in conversations like that and in Lina’s and her friend’s actions.And, of course, the romance was fun. If you’re an adult looking to read about a serious, in-depth, marriage-inducing love, you won’t find it in this book, nor should you expect it, except for a smattering in her mother’s backstory. But it was still a joy to “watch” the blossoming of romantic feelings between Lina and a certain male character. The bumps and detours they experienced as their relationship developed made for a good plot.So, if you have a teenage daughter, get this book for her right now. Keep in mind that there is a little bit of alcohol use, and various references to Lina’s illegitimacy. It does skim over the fact that Lina never knew her father while growing up with her mother, and never really questioned her father’s absence, but that may have been because of her afore-mentioned grief. Even if you’re not a teenager yourself, but are looking for a light summer read, you should read this. Enjoy it in the vein that it was written, with “love” and “gelato” used together in the title, almost as if they’re interchangeable. Because, when you’re young, sometimes they are.(see full review at[...])

“Love & Gelato”, by Jenna Evans Welch is simply phenomenal!As I finish, I feel exactly as though I have just had the BEST vacation to Italy, explored Florence & even part of Rome, went on some long runs through a scene from an Olive Garden menu & a American Memorial Cemetery, & had some crazy awesome adventures with my new best friends.Uh, WOW.This doesn’t happen.When I’m really busy with life, I read at least half a dozen books a week minimum (when less slammed by my own writing deadlines, sometimes that half dozen is per day; chain-reading is a struggle that I struggle to want to struggle with), & I cannot remember the last time a book took me on such a delightful journey.It was pure magic.Maybe because I’m half-Italian myself & always wish I’d been able to go back when my Grandpa was still alive & my family went all the time—they wouldn’t hear of it, as I was at University, and, at the time, the first in our famiglia to ever graduate, but the family doesn’t go over together anymore now that my Grandpa is gone. End of a magical era I have always wished I hadn’t missed.It was like a taste of that kind of magic.Only not just a tasting spoon lick of magic like My lactose-intolerant self had with the Alfredo I made for dinner tonight. But like a Strega Nonna pot full of magic. Like I’d baked a crusty chewy loaf of Italian bread to go with it & sat down to enjoy the entire pot, but with none of caloric or tragic lactose-derived consequences after.In fact it was exactly like I was surrounded by my big fat Italian family’s love, & swimming in a sea of gelato.Perfetto.“Love & Gelato” indeed.I will be recommending this wonderful adventure to everybody. I don’t think I have EVER felt that way about ANY book before. Certain books to certain genre lovers, certainly. But everyone? My horror writer friends to sci-fi, to suspense thriller authors like myself, EVERYONE will find something to delight in in this novel. It is a masterpiece of writing & a gorgeous quilt of storytelling, & is utterly magnificent.Certamente, Jenna Evans Welch is something special & definitely an author to keep an eye on.I discovered this book because I wanted to read Ms Welch’s 1st novel before reading the advanced reader copy of her 2nd, “Love & Chocolate”, that I won at a local book store’s semi-annual “Ladies’ Night”. I’m getting a crick in my neck from patting myself on the back for that choice, so I’m going to end here & pick up my delicious new ARC of “Love & Chocolate,” and begin reading in 3, 2, 1... Ciao!

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Minggu, 04 September 2011

Free Ebook In a Strange Room, by Damon Galgut

Free Ebook In a Strange Room, by Damon Galgut

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In a Strange Room, by Damon Galgut

In a Strange Room, by Damon Galgut


In a Strange Room, by Damon Galgut


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In a Strange Room, by Damon Galgut

From Publishers Weekly

Starred Review. There's a lot of travel in Booker Prize finalist Galgut's (The Good Doctor) new novel, but he's more interested in depicting the randomness, heightened sensitivity, dread, and possibility that come from unfamiliar places than in seeing the sights. A South African man travels in Greece, Lesotho, Zimbabwe, Malawi, Tanzania, and India, forming the complicated, tenuous relationships that provide the book's three sections titles (Follower; Lover; Guardian). This character, who bears the author's name and seems to share his history, is both "he" and "I." Though these shifts can occur in the space of a sentence, they're surprisingly easy to accept, and attentive readers will get a subtle, frank depiction of some of the problems of writing; "he" seems to be Galgut, but often experiences himself as divided, uncertain, and blurry as a fictional character evading his creator, "I" often steps in to remind us of the limits of memory and the artificiality of genre distinctions. At its best Galgut's tale has the feel of arriving in a destination you'd never planned to go. It's not always pleasant, but it's strangely fascinating.

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"This is a wise and brilliant book." --Times "A beautiful book, strikingly conceived and hauntingly written, a writer's novel par excellence without a clumsy word in it." --The Guardian "Galgut's powerful writing is honest and insightful, polished as it is to a marble-like perfection." --The Globe and Mail

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Product details

Paperback: 224 pages

Publisher: Europa Editions; 1 edition (October 13, 2010)

Language: English

ISBN-10: 1609450116

ISBN-13: 978-1609450113

Product Dimensions:

5.2 x 0.8 x 8.2 inches

Shipping Weight: 9.6 ounces

Average Customer Review:

4.2 out of 5 stars

41 customer reviews

Amazon Best Sellers Rank:

#878,171 in Books (See Top 100 in Books)

Open any page of Galgut's 2010 novel, and you will see that, instead of being set close together as is the usual practice, there is a full line of white space between paragraphs, giving a curiously open look to the page. And where the page consists mostly of dialogue, without even quotation marks or the "he said, she said" indicators, the effect is both striking and curiously unsettling, as though there is nothing to root the book in reality or link its parts together. Were this a cheap publication, I might put this down to poor typography, but not so with Europa books, who are always meticulous about presentation. It is as though Galgut, whose most recent book is ARCTIC SUMMER, a biographical novel about E. M. Forster, had taken Forster's famous exhortation "Only connect," and resolutely denied it.Yes, but it is only his starting point for doing something much deeply personal that is ultimately profoundly moving. The novel, which is subtitled "Three Journeys," features a South African writer called Damon, who is and is not the author; he refers to him in both the first and the third person, and even occasionally the second, as though an avatar of himself that he barely understands: "Looking back at him through time, I remember him remembering, and I am more present in the scene than he was. But memory has its own distances, in part he is me entirely, in part he is a stranger I am watching." The three parts show him in distant places away from his home in Cape Town, accompanying three different figures who also remain somewhat distant. In the first, called "The Follower," he accompanies an enigmatic German man on a grueling walking tour of Lesotho. In the second, "The Lover," he travels north-east as far as Kenya, and eventually to Europe, out of friendship with a trio of French-Swiss backpackers and his possible feeling for one of them. In the third, "The Guardian," he accompanies a suicidal woman (the lover of a close friend) to Goa and Southern India. Each story is complete in itself, but what makes this a novel rather than a trio of novellas is the growth of the central figure as (in the words of the book jacket) "he comes closer to confronting his own identity." The space between the lines in the printed book echoes the space between the lines in the story, as we see the central figure gain dimension, not so much from his interactions with others as from acknowledging the distances between them.The novel opens in Greece, near Mycenae. Walking in almost deserted country, the Damon character sees a distant figure coming towards him, walking in the opposite direction. When they meet, they have a brief insignificant conversation. "Then they part again with a nod and draw slowly away from each other on the narrow white road, looking back now and then, until they are two tiny and separate points again, rising and falling with the undulations of the land." It is an uncannily powerful passage, and also quite disturbing, as it sets up what will turn out to be a nightmare tour in Lesotho, and also the equally fraught journeys of the other two parts. Reading this after Galgut's portrait of Forster, and his difficulties in connecting emotionally with others, I began to see why he had chosen the older author as his subject. For both are loners in much the same way, and both are gay. The sexual tension in many of the scenes here is palpable, but the spaces are more important still, whatever it is that stops a pair of people from asking, finding, or granting what they most need in each other. It is a sad book, but a powerful one.One thing that surprised me, though, was how marvelous Galgut is in his physical descriptions. He never writes mere travelogues, and for the most part this is far from tourist Africa, Switzerland, or India. And yet I found I was getting a real appreciation for the countries he was passing through, especially the long trip north through Zimbabwe, Malawi, Tanzania, and Kenya. It was a novel that sent me often to Google maps and images, a sporadic joy to illuminate the long journey of the soul.

In this autobiographical novel, Damon recollects three journeys in a life of travelling. The first two are in his youth and the last in middle age. The style is spare and fragmented, so that episodes are only partially recalled, motivations are forgotten, some images and times are vivid while others are forever lost. The style evokes the messy way our minds remember, though it is odd that the stories keep to a strict chronology, something that memory often fails to do. The narration is mostly done in the third person, making the account seem detached and devoid of emotional involvement. Publishing this as a novel rather than a piece of travel literature is also a neat way of avoiding any moral responsibility for the contents.The first story, The Follower, describes Damon's meeting in Greece with Reiner, a German on the road trying to decide whether to marry a woman back home. Reiner is dressed all in black, with a black haversack, and is obsessive about his appearance. He is largely silent and has an air of disdain about the world and other people. You know the type: the cool dude with the Hamlet look and attitude. Gullible Damon is infatuated with him and when Reiner later visits Damon in South Africa, they decide to take a long journey on foot in Lesotho. Damon makes the error of not taking any money, so Reiner is in control from the outset. Things begin well but as the trek continues and becomes more arduous, they fall out and Damon returns home. They spot each other twice back in South Africa, but do not speak, then Reiner is never heard of again. I breathed a sigh of relief.At one point in The Follower, Damon wonders where Reiner gets all his money for travelling, and I was wondering the same thing about Damon, but if he expects others to be revealing, Damon himself is tight lipped.In The Lover, Damon is adrift in Zimbabwe and joins a group of younger backpackers travelling to Malawi. He enjoys some time with them but eventually tires of their lack of respect for local people and the environment. He finds the poverty in the villages confronting - not that this changes his behaviour at all. He then meets a trio of French-speaking travellers and becomes enamoured with Jerome, even though they have no language in common and are unable to communicate in any meaningful way. All conversation is mediated through another in the group who is able to speak English. At this point I was wondering how stupid Damon could get, but the farce continues as he tries to enter Tanzania without a visa and fails to read the obvious signal from the border guard that he wants a bribe to let Damon through. They continue to Kenya but Damon turns down an offer to go to Europe. He heads home then later visits Switzerland to see Jerome. The reunion is formal and unsatisfactory so Damon leaves, realising perhaps that he is no lover after all.The third story, The Guardian, sees Damon taking a friend Anna on a trip to India. Anna has serious psychological problems and is on multiple medications - the ideal travelling companion? It seems that the transition to middle age has done nothing to improve Damon's standing in the idiocy stakes. Anna begins behaving badly as soon as they are on the plane and it gets worse as the days rattle along. In India, Anna attempts suicide. Damon doesn't cope well but order is restored by Caroline, an English nurse on an extended stay. They get Anna to some hospitals and she slowly recovers, but the police are on her trail (attempted suicide is a crime in India). With help they manage to get her out of the country. Caroline and Damon are both emotionally drained and Caroline tells Damon about the death of her husband in Morocco some years before, the memory rekindled by Anna's ordeal. Damon continues on his travels, hears that Anna has died back in South Africa, but sticks to the road and avoids her funeral.There is nothing to like about Damon. It is clear that he travels in order to escape emotional involvement. At times he is described as very lonely and sits weeping to himself. In the final pages he visits the grave of Caroline's husband in Morocco and again is moved to tears, if only for a short time (he has a taxi to catch). You realise he is never really crying for anyone else, only himself and the waste of a life without commitment or depth. He's been a hopeless follower, a blind fool of a lover and a tragic guardian. His tending Anna after her suicide attempt is the only time that Damon appears to show any concern for others, but you get the impression it is driven by panic and managed by Caroline rather than being a wilful choice.An alternative is possible: at the end of The Lover he looks after a house outside Cape Town belonging to friends who are away. He loses his desire to travel, takes local walks, falls into a routine and feels a degree of contentment. But in the end the inner demons drive him on and you get the feeling that as long as the money is there he will be flitting off here and there, forever detached and unattached.If you travel a lot you encounter four types on a journey: the tourist, the backpacker, the worker and the traveller. The first three have some purpose to their wanderings and a reasonably clear timeframe. For the traveller it is all about the endless journey. As with Damon, the source of funds is often vague and the anecdotes, at first exotic and attractive, quickly become repetitive and self-serving. Greater wealth and cheap travel have allowed these people to propagate their misery and selfishness in (mainly poor) countries all over the globe.There is a cruel joke about these lost souls: that the sole purpose of their lives is to act as a warning to others. Damon's life is a bit like that. Do the opposite of most things he does and your life should go reasonably well. At least you'll be human.

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In a Strange Room, by Damon Galgut PDF
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Rabu, 31 Agustus 2011

Free Download 2019-2021 Three Year Planner: Marble Texture 36 Months Calendar Monthly Planner Schedule Organizer Agenda Appointment Notebook Personal Time ... (Three year planner 2019-2021) (Volume 5), by Michelia Creations

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Product details

Series: Three year planner 2019-2021 (Book 5)

Paperback: 128 pages

Publisher: CreateSpace Independent Publishing Platform (July 5, 2018)

Language: English

ISBN-10: 1722473800

ISBN-13: 978-1722473808

Product Dimensions:

8.5 x 0.3 x 11 inches

Shipping Weight: 13.9 ounces (View shipping rates and policies)

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2019-2021 Three Year Planner: Marble Texture 36 Months Calendar Monthly Planner Schedule Organizer Agenda Appointment Notebook Personal Time ... (Three year planner 2019-2021) (Volume 5), by Michelia Creations PDF
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2019-2021 Three Year Planner: Marble Texture 36 Months Calendar Monthly Planner Schedule Organizer Agenda Appointment Notebook Personal Time ... (Three year planner 2019-2021) (Volume 5), by Michelia Creations PDF

2019-2021 Three Year Planner: Marble Texture 36 Months Calendar Monthly Planner Schedule Organizer Agenda Appointment Notebook Personal Time ... (Three year planner 2019-2021) (Volume 5), by Michelia Creations PDF

2019-2021 Three Year Planner: Marble Texture 36 Months Calendar Monthly Planner Schedule Organizer Agenda Appointment Notebook Personal Time ... (Three year planner 2019-2021) (Volume 5), by Michelia Creations PDF
2019-2021 Three Year Planner: Marble Texture 36 Months Calendar Monthly Planner Schedule Organizer Agenda Appointment Notebook Personal Time ... (Three year planner 2019-2021) (Volume 5), by Michelia Creations PDF

Selasa, 30 Agustus 2011

Free Download The GR1: Spain's Sendero Historico: Across Northern Spain from Leon to Catalonia, by John Hayes

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The GR1: Spain's Sendero Historico: Across Northern Spain from Leon to Catalonia, by John Hayes

The GR1: Spain's Sendero Historico: Across Northern Spain from Leon to Catalonia, by John Hayes


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The GR1: Spain's Sendero Historico: Across Northern Spain from Leon to Catalonia, by John Hayes

About the Author

John Hayes is a retired management consultant with degrees from Liverpool University and University College London. Immediately after finishing work in 2011 he embarked on an epic 5,000km trek across Europe, walking from Tarifa in Spain to Budapest. The veteran of numerous long treks in the Alps, Spain and the Himalayas, John has written for numerous walking and trekking magazines. John first walked the GR1 in early 2013 and has made two return trips. When exploring new routes in Spain John enjoys the advice and support of Juan Holgado, whose website JuanHolgado.com is one of best known local sources on Spanish walking.

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Product details

Paperback: 224 pages

Publisher: Cicerone Press Limited; First edition (January 30, 2016)

Language: English

ISBN-10: 9781852845698

ISBN-13: 978-1852845698

ASIN: 1852845694

Product Dimensions:

4.7 x 0.6 x 6.9 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,171,947 in Books (See Top 100 in Books)

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Jumat, 26 Agustus 2011

Download Vogue Colors A to Z: A Fashion Coloring Book, by Valerie Steiker

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Vogue Colors A to Z: A Fashion Coloring Book, by Valerie Steiker


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Vogue Colors A to Z: A Fashion Coloring Book, by Valerie Steiker

About the Author

VALERIE STEIKER, the editor of this book, is the culture editor at Vogue and the author of The Leopard Hat: A Daughter's Story and the editor, with Chris Knutsen, of a collection of essays, Brooklyn Was Mine. The ten illustrators are: from America, Helen Dryden, Harriet Meserole, Rita Senger, E.M.A Steinmetz, Arthur Gavin Finley, and George Wolfe Plank; from France, Georges Lepape, Pierre Mourgue, André Marty; and from Spain, Eduardo García Benito. Most of them were born in the 1880s or '90s; some, even the Americans, studied at the École des Beaux-Arts in Paris; one—George Wolfe Plank—was self taught; and Arthur Gavin Finley also moonlighted as a magician, called Henry Gavin, credited with the invention of the Tent Vanish Trick.

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Product details

Paperback: 64 pages

Publisher: Knopf; Clr Csm edition (April 5, 2016)

Language: English

ISBN-10: 9780451493828

ISBN-13: 978-0451493828

ASIN: 0451493826

Product Dimensions:

10 x 0.4 x 11 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

153 customer reviews

Amazon Best Sellers Rank:

#31,582 in Books (See Top 100 in Books)

a really great walk through fashions and art fro the past, I love the art from the 20's and this book is full of them , real covers from vogues past for you to color, plus a 3 page fold out of fashion models that can be removed and colored

At the time that I write this review, there two different Vogue coloring books that have just been released. The other one is based on British Vogue and this book is based on American Vogue magazine. They are quite different in time period, style, and print.There are 26 designs based on magazine covers from 1912 to 1932. Each one is associated with a letter of the alphabet. For example, the first one I chose to color (using Prismacolor Premier Soft Core pencils) is of a young woman pushing a wheelbarrow of flowers on a windy day. The magazine is from June 15, 1915, and the editors of this book associated the design with W for wheelbarrow. The design is on the front of the back and the letter and stylized illustration (plus W is for wheelbarrow) is on the back of the page.In addition to the 26 designs, there are coloring opportunities on the fold out flaps of the front and back cover. Better still is a lovely four page fold-out at the back of the book which is printed front and back with a design from each of the years between 1912 and 1932.All of the designs include some small details that may be a bit difficult to color. The artwork is appears to have been sketched but the lines are a tad squiggly and there are disconnects that make it more difficult to color. I also noted that the title and other print on the designs have been done with a weird wiggly typeface. I think that the point is to make the design appear vintage but, in many cases, it merely makes it look a little odd. This issue would not keep me from buying the book as I really love the designs otherwise but it certainly impacts my enjoyment of it. If I could place a rating of 4.5 on this book, I would do so; however, as I cannot, I always round up to the next highest star.I will provide more detail about the physical coloring book below but here is a quick overview of what I found:26 Full page American Vogue Fashion Designs (A to Z)Great extra coloring including 4 page fold-outPrinted on both sides of heavyweight non-perforated paperDesigns do not merge into the binding areaHybrid Glue and Sewn BindingAlcohol-based markers seep through this page slightlyWater-based markers, India ink pens, and gel pens do not seep through the pageColoring pencils work well with this paper but have blending issuesThe designs in this book are printed on both sides of the page. The paper used is really nice heavyweight, white, and non-perforated. The actual fashion designs are on one side of the page while the letter associated is on the back. For me, that equals a waste page if I want to use alcohol-based markers. If I use any other medium, I can also color that back page as well.The binding is both glued and sewn (with lots of little stitches that are impossible to snip.) The designs do not merge into the binding area. You will have to cut pages out if you want to remove them from the book but you won't lose any portion of the design in doing so. I would have loved to seen perforations on this coloring book for easy removal for framing, This is a fairly thick book but getting it to open flat was really easy.There are many extras such as the fashion elements on both the front and back page fold-outs as well as the four-page fold-out printed with 21 fashionable designs – one for each of the years represented by the covers. There is also a full color thumbnail of each of the cover designs with a short blurb about it should you wish to follow the original colors. I went my own way for my first project but I certainly had fun looking at the original, seeing the designer, and getting the history of the outfit.I test my coloring books with various medium (which I will list in the comments area for anyone interested in the list.) My tests are not exhaustive as I spend about half an hour per book with my tests. The tests do give me an idea of how the different medium react to the paper but not the experience of coloring a full design. Here are the results of my tests on this book:Alcohol-based markers do bleed through but only the tiniest bit. No other wet medium bleed through at all. That includes water-based markers, India ink pens, and gel pens. Gel pens definitely require more drying time than usual.Coloring pencils worked well for regular coverage and for layering. My issue arose with blending. My blends were very uneven – with a much darker stain in the middle and only slight color to the sides I was blending. This was true of both wax and oil based pencils. I would have liked to have attempted some blending, especially in the backgrounds but, at least at my skill level, I will have to abstain. My hard lead pencils worked well – but I don't attempt to blend those as that is not how I use them. I find that they are good for some detail areas where my soft lead pencil tips cannot fit.

I rounded up from 2.5 stars because this review is just my own expectations of a "coloring book" & how this compares. If I had to describe this book, it would be "coffee table book of black & white sketches of Vogue covers".The book itself is beautifully produced in terms of paper stock, printing, binding & some interesting historical detail on the original covers, but I feel it fails as a coloring book. The paper lacks any tooth, making it less suitable for the soft core colored pencils which I (& lots of amateur colorist) favor. That normally wouldn't be a problem for me, since I always remove coloring book pages & reprint them on sketch pad paper of my favored 'tooth'. However, these pages are not perforated. Altho there is sufficient space between the art & the binding to cut out the pages, this still left me feeling torn, because the book is so well produced that it seemed a shame to butcher it - and difficult as well because the stock is so stiff & heavy. In the end I did cut out the pages, but it left me feeling a bit of a barbarian.The drawings to be colored are more fashion sketches than drawings designed for amateur colorists. You'll need to be creative in 'solving' how to handle the very small prints in some of the fabrics. (The delicacy & suggestion of details in many of the pages seemed to me like the basis for water colors.) I hope I rise to the challenge. Good news, I can reprint & try as often as I want . . .

I received my Vogue Colors A-Z in the mail today and so far I am very pleased. The book is beautiful with much to color using reproductions of the covers presented for coloring or not. One thing about the reproductions. Their colors are not at all true to the originals. For example, I own a Vogue cover for June 1, 1916. The original colors are different and don't have the rather ugly brown border. One thing I should have asked about before my purchase is the quality of the paper used in the book. The coloring pages are thick, but are they archival?

Good for anyone who likes detail and fashion. beautiful sturdy cover, good pics...double sided, but I ll live with it....HEAVY PAPER , BIG PLUS.

What an impressive book! I don't know now why I hesitated so long to order this book, it's absolutely fabulous and goes FAR ABOVE AND BEYOND MY EXPECTATIONS. The bright white paper that it's printed on is definitely more cardstock than paper.The entire book is put together in such a way that it truly draws you in and you want to know more about the history of each of the fashions and the artist who drew/painted each cover.In my estimation, this book, just as it is would make an adorable coffee table book. But.....it is a coloring book, and one of the very best that I have ever seen (I have seen and bought hundreds of Coloring books..,..there is nothing like it at all on the market).I will color it and pray that I don't make a huge disaster. LOL. Though the pictures are printed double sided, it is done in such a way that, if you were to use a medium and it bleed through, you wouldn't destroy an fashions, only information regarding the fashion.If they were to make more like this book, I would be the first in line. Don't be like me and hesitate about purchasing this book. I promise, you won't be disappointed. Buy it! I am so glad that I did!

I am 76 years old and I did the best job of coloring as a kid. I loved coloring contests in my neighborhood!It never occurred to me that I could color again in my spare time until recently!! I LOVE Vogue patterns!!When I saw this book, I had to have it! It gives me pleasure!

Vogue Colors A to Z: A Fashion Coloring Book, by Valerie Steiker PDF
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