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, by Darick Robertson Warren Ellis
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Product details
File Size: 74521 KB
Print Length: 144 pages
Publisher: Vertigo (December 11, 2012)
Publication Date: December 18, 2012
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B009POHJ5Q
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While the second volume of Transmet lost a little of the punch the first volume had, it fails to lose it's must read status. Ellis and Robertson's sci-fi is something I can recommend for everyone.This volume makes a much more focused effort to look at the 'futuristic' elements of the setting. The first few issues explore the issues of human-tech integration, cryogenics, and cultural preservation. But after that, it shifts to exploring Spider's backstory in the last arc. There, we learn a little more about Spider's ex-wife, and what Spider was like before he went up the mountain.One thing I didn't like about this volume was how they handled Channon. I don't want to spoil it, but I hope Ellis does a better job in the future. That said, it's not enough to bring down the whole story. Spend the money, trust me.
Even though subsequent volumes in Warren Ellis and Darick Robertson's TRANSMETROPOLITAN series would surpass this very diverse collection of stories, it is still a first rate addition to the series. It is always outrageous, frequently funny, sometimes absurd, but always stimulating.There two aspects of the series that make it especially interesting to me. First, no other comic series explores the meaning of the media in general and the Fourth Estate in particular. For all his cynicism and rebelliousness, anti-hero Spider Jerusalem is a journalist who believes that reporting should strive to make the world a better place . . . or at least not quite so bad. Sometimes Spider's posing and stunts get in the way of that, but Ellis does manage to get the story back around to that conceit from time to time. Second, the series goes further than any other I know in looking at the furthest extremes of what people will do to remake and reconstruct themselves. Many writers have pointed out that ours is already a Cyborg culture. How else can you characterize someone who has an artificial hip, a pacemaker, and lasik eye surgery? Other writers, like Ray Kurzweil and Hans Moravec, have fantasized about a utopian future in which the human brain is sliced up and downloaded into a database, where one's consciousness can enjoy a virtual immortality (though personally, I just think of this as a bizarre way to die). Many of these notions are taken up and explored in the Transmet series.The two books that begin the series are good, but newcomers should keep in mind that it gets much better in subsequent volumes. So while I recommend this, I even more strongly recommend reading the volumes that follow.
"I Hate it Here." Perhaps this best sums up the personality of Spider Jerusalem, renegade reporter and cynic of the first degree. Disgusted by the world around him, he leaves the city and lives as a hermit.Years after his escape, his publisher drags him back into the city, wanting the books he was promised five years back. Needing money to live in the city, he whores himself out to The Word, a newspaper run by an old friend. These are his "adventures."Spider is brilliant, witty, and cynical. Through his eyes, Ellis gives an outlook of a bizarre future in which Aliens have landed, corporate America manages to advertise in your dreams, and reporters can write off their drug habits as a journalistic expense.This is the second collection of Transmetropolitan, following back on the streets. Reprinted are issues 4-12. Spider is both hostage and witness as events unfold. Fortunately, it's ammunition which he fires right back at the world.Spider can turn anything into an article, from the consequences of cryogenic freezing and restoration to simple Television. He visits reservations from the sensible to the logical extreme, and provides political commentary (And even rearranges their bowels). He encounters death threats and tangles with religion.Let's not beat around the bushes here. This is a comic book. Fancy words aside, it's packages exactly as Spider-Man or Batman would be. That's where the similarities end. This is not aimed at children, and probably shouldn't be read by children. There is blood, gore, nudity, and thought-provoking materialWhat we do have is Warren Ellis' own use of the medium--A twisted, often dark, and humorous look at a futuristic world. his portrayal is brilliant, steps ahead of almost every other writer in the field of comics.Brilliance in such a simplistic medium. Such a refreshing and innovative series.
I liked the first thing. Papery pulp with pictures. I immediately assumed I would hate the second part. It happens. First part is excellent... wah, wah, wah, fail from there. But like a junkie I tried the second volume of this one. ... -contented sigh- Oh yeah. It's good.
Ellis fleshed out his darkly satiric future with foglets, corrupt cops, reservations, and revival shock. The world of the City is still grim, gross,manic, and brightly lit.
Transmetropolitan took me a while to warm up to. But I finally got on board it's 'volume 11' all-the-time future. A satirization of the future based on today's trends - with a protagonists that often seems insane but other times seems like one of the only few sane people.
This is really something I could say is a Graphic Novel without smirking. I'm no veteran when it comes to comics, but I've lent it out to a few people I know that are, and they rave about it as well. It's very much like a Fear And Loathing influenced cyberpunk tale of journalism in a future that, for all its random technical advances, is still populated by people and therefore still plagued by the same kinds of problems we face today.
Not as riveting as the first volume but definitely entertaining. Its an interesting world with great plots to explore in each issue.
Spider is that dude, THIS needs to be made into a movie, so many brilliant concepts of a future Earth.
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