PDF Download Milton, A Poem (The Illuminated Books of William Blake, Volume 5), by William Blake

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About the Author

David Bindman is Durning-Lawrence Professor of the History of Art at University College, London. Robert N. Essick and Joseph Viscomi are Professors of English at, respectively, University of California at Riverside and University of North Carolina at Chapel Hill.

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Product details

Series: Repr of 1993 Ed) (Blake's Illuminated Books, Vol 5 (Book 5)

Paperback: 288 pages

Publisher: Princeton University Press; Reprint edition (September 4, 1998)

Language: English

ISBN-10: 0691001480

ISBN-13: 978-0691001487

Product Dimensions:

8.5 x 1 x 12 inches

Shipping Weight: 2.4 pounds

Average Customer Review:

4.6 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#2,363,896 in Books (See Top 100 in Books)

This is a beautiful book. Blake's illuminated works are spectacular, and Milton is one of the most impressive. The production values are every high, and the supplementary materials--the introduction, the commentary, the letter press text and the scholarly apparatus that goes with it--are invaluable. I will use this edition when I teach this poem in the future.

corresponds to the description even though it is fairly expensive

Try as I might, I haven't come up with the blend of radical individualism thwarted by universal awareness which would make this kind of book an intellectual treat for most people. I have read the poems by William Blake (just a few thousand lines, really) that are in this book before, and I even compared the abridged copy of his poems which I've had for years with a complete text from the library to discover what I could about the process of selection. Most of this is still a big mystery to a lot of people, and buying this book was my first attempt to get the whole picture of what a lot of professors might think about a single work, which is printed on plates numbered 1, then 1 to 8, 8*, 9 to 32, 32*, 33 to 46, then a Preface, copy B, plate 2, and even a plate f, followed by variations of the pictures which were on plate 13 and other Supplementary Illustrations. I had some trouble making out words on the colored plates, so the most educational part of the book for me is the printed text with notes from pages 111 to 217.Milton is a great figure in English literature, and the great poems which place Satan and God in a struggle that makes Adam and Eve seem like minor characters are the intellectual context for Blake's effort to write a poem using Milton to write about things that minor characters wouldn't even want to talk about. Things don't really start happening for me until plate 12, "According to the inspiration of the Poetic Genius/Who is the eternal all-protecting Divine Humanity" that Milton actually rose up and said, "I go to Eternal Death!" Don't expect to meet anyone saying such things on our streets. This attempt to be instructive in the art of self-annihilation produces one of the great intellectual puzzles of eternal questions, which attempt not to apply to a particular place and time. My appreciation of John Milton and William Blake is more concerned with their ideas than with artistic techniques. The importance of Blake was suggested, more than it was demonstrated, by Theodore Roszak in THE MAKING OF A COUNTER CULTURE, Chapter VIII, "Eyes of Flesh, Eyes of Fire," which observes that a "perfectly sensible interpretation . . . would tell us, for example, that the poet Blake, under the influence of Swedenborgian mysticism, developed a style based on esoteric visionary correspondences . . . Etc. Etc. Footnote." (Roszak, p. 239). What really impressed me was the intellectual context established in the Bibliographical Notes, at the end of THE MAKING OF A COUNTER CULTURE, which states, "Anything Blake ever wrote seems supremely relevant to the search for alternative realities." (p. 302). The radical element of that thought needs to be understood in a way that affirms the religious significance of what Blake was trying to accomplish, and other scholars might overlook how this search in Blake's work might oppose their own assumptions about our cultural inheritance. Harold Bloom, in BLAKE'S APOCALYPSE, (1963, shortly before the radical part of the sixties) said "The dark Satanic Mills have nothing to do with industrialism, but" poetically pick the most common example for why those who are bored might want to complain of "The same dull round, even of a universe, would soon become a mill with complicated wheels." (Bloom, p. 305). There are a lot of names to explain, as Bloom does in his book, and the scholars employed by Tate Gallery Publications for the production of this book display an extraordinary amount of work on this project for that purpose, and the intellectual puzzles are what remains mysterious even after learning what knowledge is available.At the heart of the poem, "Milton," is the question of what such a character might mean to William Blake, and how, long after Milton's death, he might be of some use. A lot of works have been written to give an author the opportunity to say something that he wouldn't have otherwise had a chance to say, and this book seems to be one of the unique cases of a work which tries to say something that no one else is saying. Instead of treating Milton like anyone who had been dead for more than a hundred years, the treatment of Milton's thought also supposes that it exists through an "Emanation, Sixfold presumably because he had three wives and three daughters." (Bloom, p. 308). Bloom thinks this book is a result of "a complex relation of responsibility to what he has made, though his creation is in torment because scattered through the creation." (p. 308). After John Milton had become blind, his wives and daughters represented a tremendous portion of his remaining contact with the world.Walter Kaufmann, in LIFE AT THE LIMITS, considered a sonnet by the blind Milton about a dream in which one of his wives, who had died, was seen by him "Brought back to me like Alcestis from the grave." The reality expressed in the final line of that poem, "I wak'd, she fled, and day brought back my night," seemed to Kaufmann to be "the most powerful last line of any English short poem." (LIFE AT THE LIMITS, p. 75). Blake approached this situation, in which picturing another person might be considered the strongest link with any reality, with what modern readers might consider an unctiously religious picture on plate 15, with the caption (explained on p. 139 with, "The giving up of selfhood to achieve a more inclusive sense of self is essential for the artist to create" which isn't so scary if it is only applied to artists and monks): "To annihilate the Self-[there is a foot here in the picture]-hood of Deceit & False Forgiveness." Then plate 16 starts with "In those three females whom his Wives, & those three whom his Daughters/Had represented and containd. that they might be resume'd / By giving up of Selfhood:" This poetic division of a single poet into six male-female relationships is the most surprising thing in the poem, for me. Trying to apply it to religion states a much more radical understanding of what religion has to offer than most people expect if they merely go to church, which seems to be one of Roszak's points about how our culture accepts religion by making it strictly mainstream, totally "God Bless America" as the most popular current phrase goes. Much of the scholarship on the creation of Blake's large works notes how uncommercial it was in Blake's day, as "Hayley discouraged him from anything other than `the meer drudgery of business' (p. 14)" and this book tries to make that picture perfectly clear.In one of the few small works at the end of this book, Blake complained:The Classics, it is the Classics! / & not Goths nor Monks, that / Desolate Europe with Wars. (p. 264)I feel the same way, complaining about some books, but Blake assumed a society in which people were actually being taught things like a Platonic belief in forms, and the Classics were a large element of what seemed bad to him. He might have felt differently if he ever had a chance to observe our formless void, where any claim to wisdom is highly suspect. We can only look the other way.

The editors of this great work recognize its difficulties and that it is usually only the domain of specialists. They have filled to volume it commentary, notes, and helps to try and help the general reader to penetrate aspects of this extended poem / lyric / myth. The style is so personal to Blake and so unlike any other writer's style that it is hard for most of us to make sense of what each character means in any instance. A further difficulty is that there really isn't a narrative path or plot or much to help the reader move from one moment to the next. Blake had a view of reality has so multi-layered with each being having simultaneous multiple identities and manifestations that our normal way of viewing reality is quite useless.The plates are beautifully reproduced with wonderful coloring and great images. It is a poem you can tackle as you wish, but plan on spending a lot of time thinking about it before it yields much to you.For those readers who love Blake this is a great volume to add to your collection.

I hate Blake. He and his Zoas and Los can go suck the ample breasts of Albion's emanation Jerusalem. At least Joyce (the only other person I know with this personal mythology splattered out for everyone) had a sense of humor. This guy, though. Nevertheless, the illustrations are something, and there is something in the poem, I don't know exactly what it is (nor does anyone else, regardless of how convoluted and esoteric their arguments), but I'm convinced that in order to understand the least bit of these poems, you must read them all. Study them, in fact. The notes in this version are very good, and the extra illustrations are great, particularly the painting of Adam and Eve discovering Abel with Cain running off covering his newly marked forehead. Also, there is a large Lacoon, undoubtedly Blake's best thing. (I don't want to call it a poem, painting, or even "work" for some reason).

Princeton University Press has thoroughly impressed me with this series. Using higher quality paper than I've ever seen in publishing, along with an unheard-of *six* color printing process, they have reproduced the colors like never before. In addition to the color plates, a full reprint of the text is included in typescript, as well as informed and thoughtful commentary. Well done! Too bad the hardback is out of print (or was at the time of this review).

It always takes me to a different place.

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Review

“Rarely does one find a book with such prose. Flawless in both style and structure, it is rich in imagery and punctuated with light fillips of humor.” ―The Horn Book Magazine“Beautiful and descriptive language is the strength of Babbitt's fantasy about Winnie and her encounter with the Tuck family, who cause her--and readers--to ponder an important question: What would it be like to live forever?” ―Booklist“Probably the best work of our best children's novelist.” ―Harper's“A fearsome and beautifully written book that can't be put down or forgotten.” ―The New Yorker“Exciting and excellently written.” ―The New York Times Book Review“Natalie Babbitt's great skill is spinning fantasy with the lilt and sense of timeless wisdom of the old fairy tales. . . . It lingers on, haunting your waking hours, making you ponder.” ―The Boston Globe“With its serious intentions and light touch the story is, like the Tucks, timeless.” ―Chicago Sun-Times“This book is as shapely, crisp, sweet, and tangy as a summer-ripe pear.” ―Entertainment Weekly

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About the Author

Artist and writer Natalie Babbitt (1932–2016) is the award-winning author of the modern classic Tuck Everlasting and many other brilliantly original books for young people. As the mother of three small children, she began her career in 1966 by illustrating The Forty-Ninth Magician, written by her husband, Samuel Babbitt. She soon tried her own hand at writing, publishing two picture books in verse. Her first novel, TheSearch for Delicious, was published in 1969 and established her reputation for creating magical tales with profound meaning. Kneeknock Rise earned Babbitt a Newbery Honor in 1971, and she went on to write―and often illustrate―many more picture books, story collections,and novels. She also illustrated the five volumes in the Small Poems series by Valerie Worth. In 2002, Tuck Everlasting was adapted into a major motion picture, and in 2016 a musical version premiered on Broadway. Born and raised in Ohio, Natalie Babbitt lived her adult life in the Northeast.

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Product details

Age Range: 10 - 14 years

Grade Level: 5 - 08

Lexile Measure: 770L (What's this?)

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Paperback: 160 pages

Publisher: Square Fish (August 21, 2007)

Language: English

ISBN-10: 9780312369811

ISBN-13: 978-0312369811

ASIN: 0312369816

Product Dimensions:

5.2 x 0.5 x 7.6 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

1,034 customer reviews

Amazon Best Sellers Rank:

#2,398 in Books (See Top 100 in Books)

After seeing the movie, "Tuck Everlasting," I immediately wanted to read the book...a lifelong habit of mine. Natalie Babbitt does an excellent job of creating a marvelous story that draws the reader in on the first page and keeps providing simple yet beautifully descriptive paragraphs to pull the reader eagerly from page to page. The main character, a young lady of only eleven (a few years older in the movie) living a sheltered, privileged, and tightly controlled life behind an iron fence, yearns to experience the world outside her gate. The woods next door belong to her father, so what harm could come to her there? Winifred makes a marvelous discovery and encounters an unusual family that provides her more affection and freedom in a short time than she previously experienced in her entire life. Her family fears she has been kidnapped, and encouraged by a mystery man, who wants possession of the woods in exchange for leading them to their daughter, discover Winifred and the family sheltering her. The mystery of what is hidden in the woods, and the unusual family's predicament supply the tension and the crux of the story. The reader is forced to consider one of the biggest of life's questions. As the old saying goes: "Be careful what you wish for; you just might get it.". What decision will Winnie make? What are the consequences of what seems a magical solution that many seek through the ages? Why is the mystery man so determined to gain possession of the woods and why does the Tuck family risk exposure to assure he does not? This is a charming, delightful story that provokes deep consideration. I recommend "Tuck Everlasting" to readers looking for beautiful writing and a story that transcends the page to probe deep into the reader's psyche. I look forward to reading more of Natalie Babbitt's work.

Tuck Everlasting is the fifth book that my daughter and I have read this summer. It is a winning and thoroughly engaging story that has left both of us talking and thinking.The main thought of the book is, "would you want to live forever?" Good question! We follow the main character, Winnie, as she tackles this complicated decision.At the beginning of the story Winnie is a very sheltered and safe little girl (10 years old). She plays in her carefully groomed front yard, watching things around her (including a thirsty toad). Her world is safe, slow, and somnolent - seemingly napping in the hot, dry sun.The catalyst for change occurs when a man in a yellow suit (no, not hat, you Curious George fans). He is asking questions and seems unduly curious when they (the man and Winnie) hear a strange, almost elfin tune. The man is excited. The girl (Winnie)is motivated to make a surge forward. She runs into the forest where she discovers a young man (Jesse Tuck) drinking from a fountain hidden under stones at the base of a tree. I know, it sounds like a fairy tale. The story does come across as magical. The question is do you believe? Does Winnie believe?Winnie is taken (kidnapped) back to the Tuck home. The house is hidden deep in the country, secluded and existing in a time of its own. The Tucks move Winnie from her safe life to a different world. Their home is messy and disorganized in contrast to her own neat home. The Tucks are delighted to meet her and treat her like a treasured family member. This also is in contrast to her own more reserved family.Throughout her time at the Tucks they tell Winnie their story. Does she believe they will live forever? Will she keep their secret? Does Winnie want eternal life?Different family members present different perspectives to Winnie. Jesse (stuck at about 17) is full of life and is excited by all the world has to offer. The patriarch of the family (simply called Tuck) takes her out to the lake to explain his viewpoint. He points out to Winnie the way the tides of the pond move, all the bugs, and birds, and etc. He explains how everything is born, grows, is in a constant state of flux, and then dies. His family has stopped changing, maturing, growing.The man in the yellow suit eventually finds Winnie and the Tucks. His plan is to sell the water to "worthy" customers who can afford his hefty price. The matriarch of the family (Mae) kills the man She cannot allow the secret (to her the disaster, the epidemic) to spread to an unsuspecting public. My daughter reminds me too of what a burden this would be to the earth if no one ever died.Mae is faced with hanging - something which would surely lead to the exposure of her secret. Winnie helps Mae escape. This is a huge departure for her. It is definitely not something she would have done before the Tucks. She is part of their world,their family now. They love each other. The act is not a legal thing to do but is it a moral thing to do? The Tucks have changed her and Winnie is willing, indeed eager, to help. The consequences are grave. Her family is shamed in front of the whole town. When questioned Winnie can only answer that she did it for love. This her mom understands. Her family forms a fortress around her then, protecting her. Winnie comes to recognize their love for her as well.Before Jesse leaves Winnie for the last time, he gives her a vial of the Spring water. He asks her to think about drinking it when she turns 17 so they can explore all of eternity together. Will she or won't she?The final scene is of Tuck and Mae arriving back in the main town many years later. Everything has changed. The reader has the sense that the Tucks are getting more and more stretched - like Bilbo in LOTR. Their anchor to life is back 100 years. The longer their bodies live, the less they themselves seem to be part of the living world. The reader eventually finds out if Winnie drank the water or not. The answer makes the Tucks both sad and happy. The answer also leaves the reader questioning her decision and pondering their own reactions. Overall, a very satisfying book.

A beautiful story that is timeless! It's also a perfect length for you and your children to read a little quicker without being overwhelmed by the volume of the wonderful children's books today. The story is about 100 pages give or take. And I have found with some children, the long length of a book can deter them from reading. This is a perfect choice to try with ALL children young and old.The story is about ten year old Winnie Foster, (who is almost eleven years old), who feels too confined at home and wants to explore more of the world around her...just beyond her front gate. She decides to run past her front gate to see what is beyond and meets a boy Jesse Tuck and his family who intrigue her and didn't know lived on her large family property beyond her front gate in what is called "The Wood". As she gets to know the Tuck family, she finds herself learning so much about different ways of life and also a magical secret that they must protect with Winnie's help. Winnie has to decide if she should keep the secret and in the process learns the meaning of enjoying life every day, (without the need to have such a rigid schedule). She finds new adventures and magic she never dreamed was out in the world beyond her front gate.

Tuck Everlasting is well written, and even for being a short book, definitely worth reading.At the beginning it starts out as a small mystery for the reader, later on turning into a short story definitely focused on showing the main character’s detailed thoughts.An interesting story with one main theme -- if you could live forever, would you?Tuck Everlasting keeps you wondering what the characters are going to do, and if the decisions of the characters are good ones.A must read, with a GREAT epilogue!F.Y.I. This review was written by an eleven year old home schooler.

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Free Ebook The Fruits of Your Labor

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About the Author

Andrew Tobin is a Creative Director living in Brooklyn with his wife Erika, and their two daughters. Andrew's love of drawing and painting began at a young age and love of comedy began soon after. While not laughing at Corgis he sees (that body shape, c'mon), Andrew likes to cook, paint, and read voraciously. He wonders if anything else can really be done voraciously other than reading. If you have an answer, please let him know. The Fruits of Your Labor is his first book.

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Product details

Age Range: 5 and up

Grade Level: Kindergarten - 12

Board book: 72 pages

Publisher: POW! (March 26, 2019)

Language: English

ISBN-10: 1576879070

ISBN-13: 978-1576879078

Product Dimensions:

6 x 1.3 x 6 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#249,408 in Books (See Top 100 in Books)

A fun read for kids and the adults in their life who will enjoy the clever descriptions that accompanyeach beautifully drawn picture of a fruit that corresponds to a developing baby.

I stumbled upon this book rather randomly when looking for board books for my 2-year-old and though it looked very cute - I’m not disappointed!This book is wonderful for her to follow along as we talk about the size of the “tiny baby” growing in mommy. I am definitely putting this on my list of great expectant-parent gifts.Highly recommend!

Andrew Tobin is a genius!This book is the perfect gift for someone who is expecting but almost an even better gift for a youngster who is getting a new brother/sister! The board book allows for maximum durability and the anecdotes are both amusing and educational.Could not recommend this book any higher. It is superb!Well Done Mr. Tobin!

Great gift for friends and family! The watercolors are gorgeous. My kids love the illustrations.

cute & funny even if you’re not pregnant

Love this book! The illustrations are beautiful. It is great for kids and makes a great gift to expecting parents.

Beautiful, fun illustrations and humorous text. A book expectant parents can read to children to explain the baby's size month by month.

This book is amazing - it is so funny and the illustrations are beautiful. Highly recommend!

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Product details

Series: Examples & Explanations

Paperback: 896 pages

Publisher: Wolters Kluwer; 7 edition (February 1, 2017)

Language: English

ISBN-10: 1454868414

ISBN-13: 978-1454868415

Product Dimensions:

7 x 1.8 x 10 inches

Shipping Weight: 2.5 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#29,241 in Books (See Top 100 in Books)

This was amazing. The exam was ridiculous and not sure how it did. This book taught me contracts though. I know the material. I don't know how to take crazy tests. Everyone is freaking out. At least I know contracts.

This book is a helpful guide to contracts for law students. Well written, concise, and easy to understand. I must have for all 1L law students struggling to make contracts work.

Really comprehensive explanations of contracts concepts. This was an excellent supplement to the materials provided by my professor. I only wish I had bought it sooner!

helped a lot when reviewing

As advertised

Best book ever on contracts.

The material is very clearly set out ..... in logical sequence. It certainly helps my understanding and learning.

good quality

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Download Ebook Sports Cars (Rev It Up!)

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Product details

Age Range: 4 - 8 years

Grade Level: Preschool - 1

Lexile Measure: NC540L (What's this?)

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Series: Rev It Up!

Library Binding: 24 pages

Publisher: Capstone Press (December 1, 2010)

Language: English

ISBN-10: 1429653183

ISBN-13: 978-1429653183

Product Dimensions:

11.5 x 0.2 x 9.8 inches

Shipping Weight: 12 ounces

Average Customer Review:

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Amazon Best Sellers Rank:

#5,317,914 in Books (See Top 100 in Books)

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Product details

File Size: 475 KB

Print Length: 208 pages

Publisher: Fortress Press; 3 edition (April 1, 2012)

Publication Date: November 16, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00APJRKS6

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David Rhoads’ book, Mark as Story: an Introduction to the Narrative of a Gospel takes an unique approach to the Gospel of Mark through what the book calls “narrative analysis.” What Rhoads does in his book is to contextualize not only the historical and social context of the writing of Mark’s gospel account, but also the narrative writing of Mark’s author. Rhoads makes it plain that his approach analyses Mark as a story, rather than an historic accounting of Jesus’ life by Mark’s author. Rhoads examines storytelling culture in first century Mediterranean culture, which he notes was primarily done by oral composition. The Gospel of Mark, he argues, is not only intended to be read, but also performed. By this, Rhoads means that the story told in Mark was to be told in a “lively and meaningful” way. In this sense, Mark is filled with all the necessary attributes of storytelling such as tone, voice, volume, body language, etc, all designed to evoke a response from its intended audience. The meat of Rhoads’ book include sections on the narrator, the settings, the plot and the characters of Jesus, the disciples and other characters secondary to the story within Mark. In all these sections, Rhoads argues that there is a storytelling intent to everything about the Gospel of Mark; a narrator who tells the story as well as its first writer, settings designed to place the story in a time, place and culture, and a plot that twists and turns to climax in the death of Jesus of Nazareth, and dynamic characters existing with purpose within the story. Rhoads concludes with a section on the audience; how it was read two thousand years ago and to whom it was read and how it may be read by contemporary readers today. There are aspects of Rhoads’ book on which I whole-heartedly agree. His narrative analysis reinvigorates the text of Mark’s gospel account, giving it life that for myself and other readers of Mark may not have been there before. We tend to read the gospel accounts as mere history, which for bible believing Christians is true, but we also believe that the Holy Spirit used each author in a unique way, leaving marks of their personality, passions, and style all throughout the text of scripture.Rhoads points out that everything from the pace of the story, to the characters and their dimensionality is absolutely intentional on the part of the author. In this way, everything about Mark’s gospel can be understood as purposeful, not just by the author, but by the Holy Spirit himself. It is fascinating to look at Mark through that lense. There is nothing nonsensical about understanding all of Mark to be written with careful detail and purpose. In fact, backed with a biblical theology, the author’s intentional and purposed writing, coupled with God’s sovereignty truly attest to the beauty of not just Mark, but of all the gospel accounts and the rest of scripture.There are many things in which I disagree with in this book, however I will highlight only two of them. The first is that I’m not quite sold on the performance part where Rhoads suggest that the proper context of Mark was for the to reader perform and “act out all the characters.” I accept the purposefulness in the story writing of Mark and I also affirm that it necessarily was read out loud to illiterate Christians in the early church, but I find it a stretch to say that it was to be “performed.” Not only is there no early church evidence of this being the case, but the Christian tradition of preaching has been remarkably well preserved over two thousand years, taking direction from Jesus, the Apostles and early church fathers. It would make sense that if the “performing” of Mark’s gospel were to be truly intended and practiced in the early church, then it is likely that this would be preserved in some manner to this day. Thus, it is a bit too far to suggest that the writer of Mark intended his account to be performed like a dramatic story around a campfire or on a stage.The second issue I take with Rhoads is the imposition of his presupposed theological views onto Mark. At times it felt like Rhoads and I were not reading the same Mark. Rhoads states in his book that Jesus “becomes God’s son at his baptism,” and that he had no divine nature. He even seems to manipulate his translation of Mark to imply just that by changing Mark 1:11 from “You are my beloved son; with you I am well pleased.” to “You are my beloved son. I delighted choosing you.” Every honest Bible translation has translated Mark 1:11 in some manner of the former; Rhoads’ personal translation appears to be intentionally translated as the latter, most likely to accommodate his own theological views of Christ not being a divine member of the trinity. In another passage, Rhoads draws a conclusion that Jesus’ death as depicted in Mark is merely to show human faithfulness to God, when in reality Jesus’ death as detailed in Mark shows God’s faithfulness to a broken and sinful people. In many ways, Rhoads’ distorted theology plays into a misunderstanding of the fundamental nature of Mark’s gospel: to proclaim Jesus’ life, death and resurrection and the ushering in of God’s kingdom. Mark as Story is a good book for the seasoned Christian, firmly founded in biblical theology. Any new believer, or immature Christian should stay away from this book for they would be treading into waters too deep and rough for their stage in spiritual life. That being said and the bad theology aside, there is much that a mature and equipped follower of Christ can glean from Rhoads’ book. Namely a fresh way to look at the scriptures which can give some insight as to how Mark’s gospel was not only written, but masterfully crafted to tell the story of Jesus Christ and the good news he brought with him.

Using the method of “narrative criticism”, the authors make clear, in simple and direct language, what the “good news” meant for Mark and the communities he was writing for.As a non-Christian, this book really helped me get my head around the concept of “the rule (kingdom) of God” and how some people in the 1st century understood Jesus’ role (and those who followed his teachings) in the “kingdom’s” realization on Earth.As for the book as a whole, preeminent New Testament scholar Mark Allan Powell writes in the Afterword:“What Rhoads and Michie’s Mark as Story accomplished better than any other book of which I am aware is simply this: it explains what happens in the story (the plot, the characters, the settings) and how the story is told (the tone, the rhetoric, and the role of the narrator). It reveals the basic meaning of the Gospel of Mark in a manner that corresponds quite closely to what most people, most of the time, mean when they talk about “the meaning of a story.””I highly recommend this book.

This is a great analysis of the Gospel of Mark as well as introduction to narrative criticism. Be aware that this book is not organized as a commentary. Instead, it is much more interested in the matters of narrative criticism and examining the story aspect of Mark. It uses accessible language. It is really a quick read, and I would recommend it for a variety of uses (narrative criticism, study of Mark, character study, etc)

In giving my evaluation of Mark As Story, I will begin with my general reaction; then, I will discuss one of the main catalysts of thought. It took me the course of the book to really warm up to Mark As Story.I was, perhaps, hyper-critical of the first couple of chapters, especially of the "story world" and their use of the "rule of God." By the end of the book, I gained a better understanding of the "story world" concept and the wording "rule of God." Mark As Story is now, perhaps, one of my favorite books, which is largely the result of my favorite chapters: the conclusion, which analyzes the audience and its role, and the epilogue, "Reading as a Dialogue: the Ethics of Reading." After reading these chapters and reflecting on the preceding chapters, I have realized that I concur with the interpretive method of the authors. The approach they posit reminds me of the theological interpretation that is the subject of Joel Green's Practicing Theological Interpretation. It also seems to provide a median between the historical-critical approach and the "devotional" approach. I also concur with their purpose in writing the book--enhancing "the experience of the story as story" and the ability of the story to transform the audience (8). Mark as Story maintains the integrity of the text, attempting to provide an accurate interpretation and analysis of Mark without jettisoning the authority of the text or its "theology."For the extended review check out Christ My Redeemer at Wordpress.

This book has given me a better understanding of the Gospel of Mark.It gave insight about the narrator and helped me look at things described in the book differently. Now it all makes sense. A must reaad, especially for someone learning the word.

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Ebook Dodge Challenger and Charger: How to Build and Modify 2006-Present (Performance How-To), by Randy Bolig

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From the Back Cover

You can tune and modify the Chrysler 300, Dodge Magnum, Charger, and Challenger for even more performance. For many owners, fast is not fast enough. In the pursuit of a higher-performing LX-platform car, former Mopar Muscle editor Randy Bolig shows you how to extract ultimate performance from these cars.If you have been searching for the best performance package to make your Charger, Challenger, or full-size Chrysler car stand out from the crowd, you need this book.

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Product details

Series: Performance How-To

Paperback: 176 pages

Publisher: CarTech (February 11, 2016)

Language: English

ISBN-10: 1613252153

ISBN-13: 978-1613252154

Product Dimensions:

8.5 x 0.4 x 11 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#435,519 in Books (See Top 100 in Books)

Awesome book..... lots of general information, product knowledge, and aftermarket parts. This is a great book to have if you don't know where to start with upgrades. This is a good reference guide for aftermarket parts and on the back pages, it gives you websites and contact information for these types of companies.

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Great book on the '06-'14 hemi cars & engines.

Buy and read this book before you build or modify, of course you will understand more and waste less money to get the most amount the speed out of your hemi

full of info

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Pros: -Great Quality pictures of aftermarket bolt-ons and explanations of exactly what they do. Even has some graphs with Torque and HP numbers ( though im pretty sure they are all directly from the manufacturer of said product, so take them with a healthy dose of salt)Cons: This is by no means a haynes manual. Really does not explain major engine overhaul procedures, which is what I was looking for. If you're looking for the same, dont purchase this book.-This book had a lot of typosFinal word: I dont regret buying this book, but I still need another one take me through overhaul procedures

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