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Piranesi: The Complete Etchings (Multilingual Edition), by Luigi Ficacci
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About the Author
Luigi Ficacci studied art history in Rome under Giulio Carlo Argan. For many years, he was curator at the Istituto Nazionale per la Grafica in Rome and lectured at various Italian universities. From 2007 to 2015, he was Bologna’s general museum director (Soprintendente ai Beni Culturali); today he is general museum director in Lucca. The focal points of his research work are the issues raised by 17th and 18th century and contemporary Italian and European art.
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Product details
Hardcover: 856 pages
Publisher: TASCHEN; Multilingual edition (May 19, 2016)
Language: Multilingual
ISBN-10: 3836559404
ISBN-13: 978-3836559409
Product Dimensions:
5.8 x 1.8 x 7.8 inches
Shipping Weight: 3 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#284,849 in Books (See Top 100 in Books)
Look at the page count and price: Taschen does quality printing, so this is one of the best bargains I've seen among art books. If you want to pick a nit, it's not "coffee table" sized, but plenty big enough to pick out reasonably fine detail in the 'Imaginary Prisons' series. (BTW, seeing some of the original 'Prison' prints at a local museum goaded me into buying this book, for which I'm grateful.) Some pages contain multilingual text rather than art, but not enough to dilute this magnificent assembly of classic engravings.And, without doubt, Piranesa was a true master of engraving. Compared to etching, for example, engravers have delicate and direct control over line weight, which Piranesi used to good effect in wispy skyscapes, dank prisons, and everything in between.All that said, I'm greatly attracted to only a fraction of his prodigious body of work. It all displays technical skill and mastery of form, with impeccable draftsmanship. Much of it, especially details of architecture, comes across schoolbook-dry and without feeling. I know that's completely appropriate to many venues and it's good to understand his most expressive work in the context of these more staid if technically flawless pieces - I still don't respond to the latter the way I do to the former.None of that takes away from the crisp, bright Taschen treatment. It's a beautiful book, and I'm not a bit ashamed of calling out favorities among the hundreds of engravings reproduced here.-- wiredweird
Great book
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