Ebook Reclaiming Fair Use: How to Put Balance Back in Copyright, Second Edition
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Reclaiming Fair Use: How to Put Balance Back in Copyright, Second Edition
Ebook Reclaiming Fair Use: How to Put Balance Back in Copyright, Second Edition
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About the Author
Patricia Aufderheide is University Professor of communication studies in the School of Communication at American University’s Washington School of Communication, and founder of the Center for Media & Social Impact, where she serves as Senior Research Fellow. Peter Jaszi is professor of law and director of the Glushko-Samuelson Intellectual Property Law Clinic at American University’s Washington College of Law.
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Product details
Paperback: 256 pages
Publisher: University of Chicago Press; 2 edition (April 27, 2018)
Language: English
ISBN-10: 022637419X
ISBN-13: 978-0226374192
Product Dimensions:
6 x 0.8 x 9 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#325,174 in Books (See Top 100 in Books)
This is an exceptional work, both on and beyond its topic. On topic, we are rewarded with a critical methodology for navigating our world today. Beyond, the principles employed by Patricia and Peter expose the value of pragmatic risk management: manage it, don’t run from it. Highly recommended.
More than fulfilled the needs for my research...
Comprehensive & thorough. A super educational read.
The language is easy. This book was very useful for me as a journalist. Now I know smth more about my legal and creative rights
The book on Docs
Informative, educational, practical and inspiring. This is an essential book for artists and filmmakers using source material. The authors clearly explain the rights that creatives have and often overlook. Also important for instructors and writers who need to reference other imagery in their work. Every person who creates new meaning through creative work should own this resource.
Copyright has hit the headlines this year for the problems of digitisation. The book by Aufderheide and Jaszi addreses these problems, and more, in a concise and readable way, although it has to be said that it is a book by americans for the US market. In the UK, the equivalent concept is "fair dealing". The idea that one can copy parts of a copyright text or image without consulting the copyright holder is a very old one, because how else can one criticize or comment on a work without doing so? Indeed, by quoting a text in a review, say, it is giving publicity to a book and so maybe helping its sales, which must be good for the copyright owners, usually the author and the publisher. Digitisation has brought the concept into focus owing to the ease of copying and broadcasting that work to the whole world over the internet. That has not only raised the old problem of wholesale piracy but also how far fair use can go within the confines of the law. One particular problem arose from the large scale scanning of books by Google, which made them available on its website. For old books where the author is long dead (Dickens, Shakespeare etc), there is no problem, but since copyright is a long lasting right (70 years after the death of the author), there is a problem for more recent in-copyright works. This is why there is a major unresolved dispute between authors and Google. But yet the same company uses the doctrine of fair use in its search pages. For example, thumbnails of images are an essential part of the image search, to which no author objects at all. Without fair use, we would have no image search at all. But there is mounting evidence that copyright is being abused by major copyright holders, or indeed, some non-copyright holders. For example, many libraries hold extensive old photographs which are either not in copyright at all (being created before the copyright act established the right) or the copyright has expired. But since they may hold unique examples, they insist potential users to sign a license which means they can claim a fee for use of that image. Although that issue is not discussed in this book, it covers most of the controversial issues, some of which remain unresolved pending further legislation. It is essential reading for all those authors who worry about digitisation, as well as the public who want to know the fair limits of their rights in copying.
This is an excellent book, but I can't recommend the Kindle edition because it doesn't have page numbers. I don't know why publishers keep publishing versions of academic books that can't be cited. Either the format for revealing there are no page numbers has changed, or something is very strange about the way this book lists whether or not it doesn't have page numbers.
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